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• ' / ' Released: 2 December 1971 • ' / ' Released: 21 February 1972 The untitled fourth studio album by the English band, commonly known as Led Zeppelin IV, was released on 8 November 1971. It was produced by guitarist and recorded between December 1970 and February 1971, mostly in the country house. The album contains one of the band's best known songs, '. The informal setting at Headley Grange inspired the band, and allowed them to try different arrangements of material and create songs in a variety of styles. After the band's previous album received lukewarm reviews from critics, they decided their fourth album would officially be untitled, and would be represented instead by four symbols chosen by each band member, without featuring the name or any other details on the cover. Unlike the prior two albums, the band was joined by some guest musicians.
Joining (vocals), (guitar), (bass, multi-instrumentalist), and (drums) were vocalist on ', and former piano player on '. As with prior albums, most of the material was written by the band, though there was one cover song, a hard rock re-interpretation of the blues song '.' The album was a commercial and critical success and is Led Zeppelin's best-selling, shipping over 37 million copies worldwide. It is one of the, while critics have regularly placed it highly on lists of the greatest albums of all time.
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Most of the album was recorded at in Hampshire. Following the release of in October 1970, the group took a break from live performances to concentrate on recording a follow-up. They turned down all touring offers, including a proposed New Year's Eve gig that would have been broadcast by television. They returned to, a country house in, Wales, to write new material. Recording sessions for the album began at ', London in December 1970. The group had considered 's home, as a recording location, but decided it was too expensive.
They subsequently moved the following month to, a in, England, using the and engineer, with the Stones' assisting. Johns had just worked on engineering and recommended the mobile studio. Guitarist and producer later recalled: 'We needed the sort of facilities where we could have a cup of tea and wander around the garden and go in and do what we had to do.'
This relaxed, atmospheric environment at Headley Grange also provided other advantages for the band, as they were able to capture spontaneous performances immediately, with some tracks arising from the communal jamming. Bassist and keyboardist remembered there was no bar or leisure facilities, but this helped focus the group on the music without being distracted. Once the basic tracks had been recorded, the band added overdubs at in February.
Page then took the completed master tapes to in Los Angeles for mixing, on Johns' recommendation, with a plan for an April 1971 release. However, the band disliked the results, and so after touring through the spring and early summer, Page remixed the whole album in July. The album was delayed again over the choice of cover, whether it should be a, with a possible suggestion it could be issued as a set of. Songs [ ] Side one [ ] ' was named after a dog that hung around Headley Grange during recording. The riff was written by Page and Jones, while the a cappella section was influenced by Fleetwood Mac's '. Vocalist wrote the lyrics, and later sang portions of the song during solo concerts.
The guitar solos on the outro were recorded directly into the desk, without using an amplifier. ' was a collaboration with Stewart that came out of a early in the recording sessions at Headley Grange. Drummer wrote the introduction, which came from jamming around the intro to 's 'Keep A Knockin'. The track became a live favourite in concert, being performed as the opening number or an encore. It was released as a promotional single in the US, with stereo and mono mixes on either side of the disc. ' was written by Page on the, borrowed from Jones.
Plant added lyrics inspired by a book he was reading about the. The track features a duet between Plant and 's. Plant played the role of narrator in the song, describing events, while Denny sang the part of the town crier representing the people. The used for live performances of ' ' was mostly written by Page, and the bulk of the chord sequence was already worked out when recording started at Basing Street Studios. The lyrics were written by Plant at Headley Grange, about a woman who 'took everything without giving anything back'. The final take of the song was recorded at Island Studios after the Headley Grange session.