Compressor Cla 3a 2a 76 Crack Torrent
The Waves CLA-2A The CLA-2A is modeled on the original Teletronix LA-2A unit from the early 1960s. It is a hand-wired, tube-based compressor initially used in broadcast. The original unit used an electro-luminescent optical attenuator called “T4” for gain reduction. Th unique characteristic of this design is that it doesn’t add distortion when it modulates the sound. The CLA-2A’s frequency-dependent attack and response speed made it an instant favorite of audio engineers.
Waves CLA Classic Compressors Bundle includes. The CLA-2A, modelled after a famous tube opto-compressor. The CLA-3A, modelled after a well-known solid-state opto-compressor; The CLA-76 “Bluey,” modelled after the silver-face blue-stripe revision B version of a famous solid-state FET based compressor from the 1960’s. The Waves CLA-3A. The CLA-3A is a model of the original solid-state compressor, the LA-3A, introduced in 1969.Just like the LA-2A it uses a simple control surface, the T4 optical attenuator for gain reduction, and program-dependent compression characteristics.
Perhaps its most unique feature is its program dependent, multi-stage release, which was achieved using a 2-stage photo-electric cell. The LA2A is perfectly designed for bass but also sounds quite good on vocals. This video covers the functions and practical application of the CLA-2A. The Waves CLA-76 The Waves CLA-76 is modeled after the 1176 Compressor. It is a solid state compressor/limiters that uniquely uses Field Effect Transistors (FETs) as gain control devices. There were at least 13 revisions during their manufacturing run. Two of the most notable versions have been captured perfectly in this plugin.
The 2 revisions modeled were the Revision B – Silverface-Bluestripe and the Revision D-LN (Low Noise), also known as the Blackface. The Blackface version is perhaps the most popular but they are both well suited for effective analog compression. The main differences between the two, aside from the faceplate design, are slightly different gain stages, time constants, and the THD and noise levels. Zattoo tv. The original pre-amp noise was modeled and included with the Analog buttons. Because of the flexibility of the Attack and Release controls, the CLA-76 is a powerful tool for many instruments including vocals and drums. It is particularly effective for pump and breathe compression effects.
The ALL button in the Ratio section allows access to a unique “hyper compression” mode that requires all 4 Ration buttons to be pressed in simultaneously on the original unit. Bleach volume 55 pdf files. This video covers the functions and practical application of the CLA-76.
1: Although their GUIs have different skins and are organized differently, the controls and metering options for Waves CLA-2A (shown here) and CLA-3A are exactly the same. With the release of CLA Classic Compressors, Waves has expanded its line of plug-ins that model vintage hardware processors. The cross-platform bundle includes models of Grammy Award-winning mix engineer Chris Lord-Alge's personal handpicked Teletronix LA-2A, UREI LA-3A and UREI 1176 compressors.
Lord-Alge has mixed pop and rock icons Green Day, Daughtry, U2, Dave Matthews Band and Avril Lavigne, to name just a few. That's So Classic CLA-2A models the Teletronix LA-2A leveling amplifier, an electro-optical tube compressor originally produced in the early 1960s (see Fig. The plug-in's twin sibling, the CLA-3A, models the UREI LA-3A audio leveler, a solid-state opto compressor originally produced in 1969.