Viskazivaniya Sari Alpisovni
— Hasluck, Christianity and Islam under the Sultans, p. 340 • Wittek, Yazijio ghlu 'Ali on the Christian Turks., pp. 648-649, 659 •, who wrote during the reign of (1421-51), says that 'Izz al-Dīn, who was threatened by his brother, found refuge with his followers at the court of the Byzantine emperor. He fought the latter's enemies, and as a reward the latter gave them the Dobrudja.
Another excellent batch of songs and poetry. From the intimate evocative nay mystical sounds of Marissa Nadler to the world beats of Alain Nkossi Konda and the positive vibes of poetry from Celestial Dancer.
The Turkish clans were summoned, and with Ṣarī Ṣaltiq (Sari Saltik) as their leader, they crossed over from and then proceeded to the Dobrudja.
Girl and woman dressed in traditional Mahārāshtrian sāri. A sari, saree or shari is a from the that consists of a varying from five to nine (4.5 metres to 8 metres) in length and two to four feet (60 cm to 1.20 m) in breadth that is typically wrapped around the waist, with one end draped over the shoulder, baring the. There are various styles sari manufacture and draping, the most common being the Nivi style, which originated in Deccan region of India. The sari is worn with fitted bodice commonly called a ( ravike in southern India, and cholo in Nepal) and petticoat called parkar or ul-pavadai.
In the modern Indian subcontinent, the sari is considered a cultural icon. Lady being offered wine, Deccan, 1600 CE.
History of sari-like drapery is traced back to the, which flourished during 2800–1800 BC around the northwestern part of the. Was first cultivated and woven in Indian subcontinent around 5th millennium BC. Dyes used during this period are still in use, particularly,,.
Was woven around 2450 BC and 2000 BC. The word 'sari' evolved from 'sattika' mentioned in earliest Jain and Buddhist literature as women's attire. The Sari or Sattika evolved from a three-piece ensemble comprising the Antriya, the lower garment; the Uttariya; a veil worn over the shoulder or the head; and the Stanapatta, a chestband. This ensemble is mentioned in literature and Buddhist literature during the 6th century B.C. This complete three-piece dress was known as Poshak, generic term for costume. Ancient closely resembled dothi wrap in the 'fishtail' version which was passed through legs, covered the legs loosely and then flowed into a long, decorative pleats at front of the legs.
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It further evolved into Bhairnivasani skirt, today known as and lehenga. Was a shawl-like veil worn over the shoulder or head, it evolved into what is known today known as and ghoongat. Likewise, Stanapatta evolved into choli by 1st century A.D. Between 2nd century B.C to 1st century A.D, Antariya and Uttariya was merged to form a single garment known as sari mentioned in literature, which served the purpose of two garments in one-piece. The ancient work, Kadambari by and ancient poetry, such as the, describes women in exquisite or sari. In ancient India, although women wore saris that bared the midriff, the writers stated that women should be dressed such that the navel would never become visible.
By which for some time the navel exposure became a taboo and the navel was concealed. In ancient Indian tradition and the (an ancient Indian treatise describing ancient dance and costumes), the of the Supreme Being is considered to be the source of life and creativity, hence the midriff is to be left bare by the sari.
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